The Works of Ernie Barnes

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Freedom Center Voices

The Works of Ernie Barnes

During my work day, I like to spend about 20 – 30 minutes checking out the exhibits. Of course being that the Kinsey African American Art & History Collection is our newest temporary exhibit, I’ve been spending time seeing rarities I know I’ll probably never have the opportunity to see again.

As I’ve worked my way to some of the last pieces of the exhibit, I come across paintings from an artist by the name of Ernie Barnes. Something about his work titled “Slow Drag” seems quite familiar to me as I carefully examined the elongated figures on the paintings. As I get on the elevator to head back to my desk it suddenly comes to me. The figures look just like a picture my late aunt had in her home. Once I’m at my desk, I google “Works of Ernie Barnes” images and I see just what I envisioned from my memory – a picture of his most famous painting “The Sugar Shack”.

Seeing that image along with his pieces in the Kinsey Collection brought back so many memories of spending time at my aunt’s home. I also began recalling other places I saw the painting that included other homes and black-owned, mom-and-pop businesses. From this realization I came to appreciate how much of an impact Barnes has had on Black culture, (even learning that Marvin Gaye used the image for his 1976 “I Want You” album cover). It was especially interesting learning that he was an actor and a football player. He used his art to convey the Black experience in America, especially in a feature he used in his paintings in which the figures had their eyes closed. He says “We stop at color quite often. So one of the things we have to be aware of is who we are in order to have the capacity to like others. But when you cannot visualize the offerings of another human being you're obviously not looking at the human being with open eyes”, as the reason behind this preferred feature in his work.

Many people tend to overlook the small yet significant stories African Americans have contributed to not only Black culture, but American culture. This little jewel learning about Ernie Barnes and the impact of his work will be something I’ll always cherish as it is exactly the message the Kinsey’s want all guests to take away – learning about the subtle but meaningful impacts and contributions African Americans have made to this country.

#28DaysofKinsey

Will Jones
Public Relations & Social Media Coordinator
National Underground Railroad Freedom Center

Harper’s Magazine

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Freedom Center Voices

Harper's Magazine

As the people of Alabama voted, the cover of Harper's Magazine from November 16, 1867 [which is part of the Kinsey Collection now on display at the Freedom Center] takes on special meaning to me.

Millions of people, both of African and European descent fought to end slavery (finally achieved by the ratification of the 13th Amendment in December 1865) and the recognition of the basic human and civil rights to the formerly enslaved (14th Amendment in July 1868). Almost immediately after the war, Freedman began voting, as depicted here in November 1867. Harper's took note of "the good sense and discretion, and above all the modesty" displayed by the freedmen. The magazine went on to note that they displayed no sense of exaltation or defiance, but were "serious, solemn and determined."

But as we know, the former Confederates, and, in fact, many in the North, resisted the important right of the Freedmen to vote, necessitating the effort to adopt the 15th Amendment in February, 1870.

If only that had been the end of the story. Jim Crow segregation suppressed the vote of African Americans with a merciless hand at the close of Reconstruction, culminating in the late 1890s. Voter suppression was enforced with literacy laws and poll taxes, as well as violence perpetrated by the KKK.

Fighting for the right to vote was a principal goal of the Civil Rights Movement in the 1950s and '60s, culminating in the Voting Rights Act of 1965. A Supreme Court decision in 2013 weakened the ability of the federal government to protect minority voting and various forces have used ways to reduce minority voter registration and influence.
Alabama has been at the center of the struggle for full citizenship and voting rights at every turn. Today, if the Black voters of the state turn out, they could be the deciding factor in this critical special election for the U.S. Senate.

Visit the Kinsey African American Art & History Collection for inspiration and insight at the Freedom Center through February.

#28DaysofKinsey

Dan Hurley
Interim President
National Underground Railroad Freedom Center

Brown vs. Board

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Freedom Center Voices

Brown vs. Board

The Kinsey African American Art and History Collection has an incredibly broad range of objects and art to take in. My favorite item in the collection is the signed decision letter for Brown vs. Board of Education of Topeka. This document, unanimously approved and signed by the Supreme Court Justices holds special significance for me.

This past September marked the 60-year anniversary of the integration of Little Rock Central High School. Our exhibit Mandela: The Journey to Ubuntu opened at the Clinton Presidential Center in Little Rock the same weekend as this important anniversary. Several members of the Little Rock Nine attended the exhibit opening and the following day there was a ceremony in the auditorium of the high school commemorating their courageous actions 60 years prior.

Each of the surviving eight students spoke, reflecting on their experiences at Central. It was one of those rare times that you realize you are living in a moment of historic significance. Hearing those brave eight individuals speak in that auditorium was one of the most impactful experiences of my life. It may well be the most important moment I ever witness. Two months after returning home from that trip, we began the installation of the Kinsey Collection. Holding the document that allowed those nine brave students access to Little Rock Central, the gravity of the piece was not lost on me. This document is here in our gallery, an unassuming 8.5” x 11” piece of paper with five signatures that forever changed the course of American history, the lives of the Little Rock Nine and every student that followed.

#28DaysofKinsey

Jesse Kramer
Creative Director
National Underground Railroad Freedom Center

Quiet Strength

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Freedom Center Voices

Quiet Strength

The Kinsey African American Art & History Collection is incredibly powerful and it has been an honor to promote the exhibition with the NURFC team these past few months. The breadth and depth of content, historical and personal, highlights the untold stories of so many Americans – from photographic, literary and artistic perspectives. I believe it would be nearly impossible to walk through a personal collection of this caliber and not have one, or more, objects speak to you. I try to make a point to spend at least 10 minutes in the Skirball Gallery each day I am in the office and “get to know” a new piece of the collection and I have learned so much.

One object in particular that catches my eye each time I walk through The Kinsey Collection is a book signed to Shirley Kinsey. This book, titled Quiet Strength, was signed by Rosa Parks in 1998.
I’m a fan of signed books. I’ve been known to stand in line for extended periods of time for the opportunity to thank an author for their work and have them sign a copy of my book.

Seeing this book has made me ask myself – how long would you stand in line for Rosa Parks’ signature? How could you possibly begin to say thank you and honor her life’s work, her journey? I think the only answer is another question: How could you leave a line leading you to Rosa Parks?

#28DaysofKinsey

Jamie Glavic
AVP of Marketing & Communications
National Underground Railroad Freedom Center

28 Days of The Kinsey Collection

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Freedom Center Voices

28 Days of The Kinsey Collection

In honor of Black History Month we want to recognize the many contributions and triumphs African Americans made to America throughout history. What better way to show this than to highlight the pieces of the Kinsey African American Art & History Collection?

Married for over forty years, activist couple Bernard and Shirley Kinsey have built a world-renowned exhibition that challenge and redefine African American identity and representation in history and arts. What began as a third grade project for their son Khalil – turned in to one of the largest privately owned collections of African American art, artifacts and manuscripts in the country. Spanning over 400 years, their collection feature works from Zora Neale Hurston, Romare Bearden, and Elizabeth Catlett – to name a few. Guests can even find pieces that have local ties to the city of Cincinnati such as the “Autumn Landscape” by Robert S. Duncanson, who spent the majority of his professional career in the Queen City.

This is the second time the exhibit has made its way here to the National Underground Railroad Freedom Center. It was originally the second location the collection appeared when it began traveling in 2006. Since then, it has been displayed at the California African American Museum, The Smithsonian National Museum of American History, Epcot Center at Disney World and The Hong Kong University Museum and Gallery to name a few, and has won many prestigious awards including the President’s National Award for Museum and Library Services.

Throughout February our staff, volunteers and docents will highlight pieces of the collection as well as give you first-person accounts of their experiences in the gallery. See the Kinsey African American Art & History Collection, presented by Macy’s, at the National Underground Railroad Freedom Center before it closes on Saturday, March 3. #MyNURFC #KinseyatNURFC

Will Jones
Public Relations & Social Media Coordinator
National Underground Railroad Freedom Center

Becoming an Ethical Consumer with Fair Trade

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Freedom Center Voices

Becoming an Ethical Consumer with Fair Trade

According to the Global Slavery Index, there are 45.8 million slaves in the world today and over two-thirds of those slaves are victims of forced labor. Forced Labor is obtaining and transporting of a person for labor through the use of force, fraud, or coercion for the purposes of involuntary servitude, debt bondage, or slavery. Forced labor is the type of enslavement used across the world to produce many products in our global supply chains. The desire to produce a profit is the largest motivating force behind the institution of slavery.

Fortunately, we as consumers can fight forced labor by shifting the demand of our buying habits to fair trade and survivor-made goods. Fair trade is more than just paying a laborer a fair wage, however. Fair trade is a reciprocal partnership based on mutual respect that allows us to buy the products we love without taking advantage of the people who make them. By educating yourself about fair trade and debunking its myths, you can start to change your buying habits and become a smarter consumer.

Since fair trade clothing and home goods are less accessible to find than fair trade food, for example, here are five ways to build a slave-free closet. By supporting ethical brands, shopping less and choosing better, choosing quality products over quantity, buying vintage or second-hand, and valuing the clothes you have, we hold companies and governments accountable to put people before products.

Additionally, check out our list of many fair trade retailers from EndSlaveryNow.org where you can get started. You can also find your slavery footprint or download our Slave Free Buying Guide, an ethical shopping guide with many suggestions for fair trade products.

Fair trade doesn’t have to be overwhelming! From now on, take small steps such as switching to one or two fair trade products such as fair trade coffee or t-shirts. Additionally, donate your money or time to a fair trade or anti-human trafficking organization, many of which can be found here.

We hope you join the fight in ending slavery!

Madeline Anderson

Intern

National Undeground Railroad Freedom Center

Why Knowing the Red Flag Indicators of Human Trafficking Is Important

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Freedom Center Voices

Why Knowing the Red Flag Indicators of Human Trafficking Is Important

Modern-day slavery does not care who you are, what you look like, or where you come from. It can happen to anyone—any of us—at any given time.

It is estimated that 20-45.8 million people are enslaved in the world today, in every country in the world today, including the United States. Although exact numbers are difficult to pin point, in the U.S. we know that in the past eight years more than 31,600 total cases of human trafficking have been reported to the National Human Trafficking Hotline[1].

But what is human trafficking? Is it the same as modern day slavery? In short, yes. The United Nations defines human trafficking as, “the recruitment, transportation, transfer, harboring, or receipt of persons by improper means (such as force, abduction, fraud, or coercion) for an improper purpose including forced labor or sexual exploitation.” [2] Both the definition of “modern day slavery” and “human trafficking” deal with the enslavement of human beings.

As previously stated—slavery can happen to anyone. Not all enslaved people look one specific way, nor do all traffickers look one specific way. However, there are red flag indicators in human trafficking cases that help people correctly identify victims.  And knowing these indicators do help. In 2016, the National Human Trafficking Hotline found that community members called the hotline more than any other demographic. Out of 26,727 calls made last year, 7,545 of them were placed by members in the community who knew the signs.

So, why am I telling you all of this? On June 10th, the National Underground Railroad Freedom Center held See & Say: How to Spot the Signs of Human Trafficking, a training workshop aimed at helping people understand the red flag indicators of human trafficking. We wanted to provide the general public with an introductory training of these warning sings, with the ultimate goal if you see something, you will say something. The idea for the program came after a discussion with the Freedom Center’s curator, Dr. Ashley Jordan, about how a person could receive training on the warning signs of human trafficking. This conversation stemmed from the news report on Shelia Fedrick, the Alaskan Airlines flight attendant who was successfully able to identify a victim of human trafficking on her flight last February[3]. Because of Shelia Fedrick’s knowledge of these critical signs, she was able to help a young girl escape enslavement.

Understanding the signs of human trafficking is one of the easiest ways a person can help fight against slavery—it literally just requires you to be more vigilant and aware in your normal, everyday situations. At the Freedom Center, part of our mission is to “challenge and inspire everyone to take courageous steps of freedom today,” and that is what our See & Say program was all about. Our goal was to educate attendees on the warning signs of human trafficking and encourage “if you see something, say something.[4]

Katie Bramell

Researcher

National Underground Railroad Freedom Center

 

[1] https://polarisproject.org/facts

[2] http://www.endslaverynow.org/learn/slavery-today

[3] http://www.nbcnews.com/news/us-news/flight-attendants-train-spot-human-trafficking-n716181

[4] http://www.endslaverynow.org/act/action-library/read-and-share-these-red-flag-indicators

The Idea Behind the Forgive/Fight Initiative

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Freedom Center Voices

The Idea Behind the Forgive/Fight Initiative

On July 18, 2017 at 2:11 pm, twenty-seven FORGIVE/FIGHT statements will be read aloud by the eternal flame on our third floor balcony. These statements have been collected over the course of the run of Mandela: The Journey to Ubuntu. This is NURFC’s world premiere temporary exhibition showcasing the life of former South African President Nelson Mandela from his early childhood through his fight against apartheid, onto his presidency and beyond.

These statements have been collected from visitors as they exit the exhibit. Each of our visitors have been encouraged after viewing the exhibition to reflect on what they are willing to forgive in their life and what they are willing to fight for. The National Underground Railroad Freedom Center has had an overwhelming rate of participation in this exercise and we wanted a way to showcase the impact that Nelson Mandela’s life and actions have had on the Cincinnati community.  The idea of reading these important and poignant statements from the hearts of our visitors came from a program at another museum, the Jane Addams Hull-House Museum in Chicago.  The Hull-House Museum performed a mock election last fall for members of their community that were unable to vote in the national election due to legal status, age, past criminal history, etc.  The museum gave voice to their community on important issues that affected them where they otherwise would have had none.  Visitors were encouraged to take a statement left on these “ballots” and read them aloud on a bullhorn from a second story window out into the street.

The NURFC recognized very quickly after the opening of Mandela: The Journey to Ubuntu that our own community had very powerful things to say about a range of issues affecting them and our world. We invite you to join us on July 18th , what would have been President Mandela’s ninety-ninth birthday as we borrow the Hull-House Museum’s concept  and we read aloud these statements of forgiveness and resistance. In the spirit of Mandela’s legacy we will read one statement for each of the twenty-seven years Mandela was held in bondage by the fascist government policies of Apartheid.

We sincerely hope you will join us on the afternoon of July 18 as we honor the legacy of Nelson Rolihlahla Mandela. His courageous actions changed the world. Listen with us as we hear the impact of his work on our visitors and learn what Cincinnatians want to forgive and what we as a community are ready to fight for.

 

Jesse Kramer

Creative Director

National Underground Railroad Freedom Center

The Fight for the Hopper Gibbons House

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Freedom Center Voices

The Fight for the Hopper Gibbons House

In the summer of 2007 an article in The New York Times informed me that the only home of a White abolitionist in Manhattan in New York City that survived the 1863 Draft Riots was in the process of being altered beyond recognition.  The home, a townhouse located at 339 W. 29th St., is now owned by Tony Mamounas whose company was adding a fifth-floor penthouse to the four-story Hopper Gibbons house.  The Hopper Gibbons house is a 19th century rowhouse, a part of contiguous brick buildings that witnessed the Draft Riots, and was a victim of Irish arsonists who broke down the door at 339 W. 29th St., setting the house on fire gutting the interior.

The Hopper Gibbons house is an important physical element of the American Civil War that survived the July 1863 New York City Draft Riots, and is the only remaining building that was attacked because the then-owners were sheltering Blacks fleeing enslavement and was the site of meetings between Black and White abolition leaders.

The 1863 Draft Riots in New York City began as a violent protest by members of the Irish community against the implementation of the draft during the Civil war incited by Democrats who felt they were being drafted into a war that would free enslaved Black people who would then compete with them for jobs.  The Irish were also angry because middle and upper-class White New Yorkers were able to pay substitutes to take their places in the Union Army.  The anger vetted against the Black community in New York City was a violent replay of that of 1712 when enslaved Black New Yorkers were executed to suppress a slave revolt.  Starting July 13, 1863, the homes of Blacks were firebombed and the Negro orphanage that housed more than 200 children was burned.  Before the battle ended more than 200 people thought to be abolitionists were targeted, and many of their homes were burned.  The home of the Hopper Gibbons family who were abolitionists was singled out by the arsonists and on the second night of the riot (July 14, 1863) the Hopper Gibbons home was torched.  The occupants would not go through the front door to the outside in fear of being assaulted, or worse, killed.

James Sloan Gibbons and his daughter, Lucy Gibbons Morse, were in the house when the inferno began.  Abigail Hopper Gibbons was in the South with a Union Army regiment serving as a volunteer nurse.  Mr. Gibbons had developed an alternate plan of escape with the help of neighbors whose homes were attached to 3339 W. 29th St., and while the arsonists, the bad guys and the bullies stood on the street waiting to pounce on the abolitionists, James Gibbons, his daughter Lucy and others trapped in the melee, climbed up ladders through scuttles which opened on the roof, scampered across rooftop to another scuttle, climbed down another ladder into a hallway, and by exiting through the rear of the building Mr. Gibbons and his daughter escaped harm.

Fern Luskin, a professor of Art and Architecture, and Julie Finch, an actress, jointly worked to oppose the addition to the Hopper Gibbons house, and during their 10-year effort, they would attract a coalition that was multi-ethnic and multi-cultural, including people of a wide spread of incomes.  I called Fern Luskin, and began a 10-year process of exchanging emails, phone calls, site visits to 29th Street and consultation.  We were able to suggest that the neighborhood based organization that Fern Luskin and Julie Finch led develop working relationships with the African American community, and they secured the support of Jacob Morris of the Harlem Society.  In a July 2, 2012 Wall Street Journal article Mr. Morris identified 20 major Black historic sites that included the slave market at Wall Street, the site of the Colored Orphanage that burned in the Draft Riots, and the location of the home of David Ruggles, the Black abolitionist who sheltered Fredrick Douglas after he escaped enslavement in Baltimore.

We were able to connect Ms. Luskin with what would become on the community’s most important allies, the Bronx Lab School’s Underground Railroad Bicycle Club, a group of students who visited the National Underground Railroad Freedom Center in 2008.  At our suggestion, and with the cooperation of the administration of the Bronx Lab School who allowed Rachel Appel to accompany the students to a hearing of the Board of Standards and Appeals in Lower Manhattan.  At 10:00 a.m. November 20, 2012, it had been raining since the night before.  It was “wet dog weather” when a multi-racial parade of soaked students from the Bronx Lab School dismounted outside the building where the Board of Standards and Appeals would meet.  At 10:00 a.m., the wet sock caps, bandanas, scarves and poplin jackets had been removed.  Sport jackets, blazers and notebooks were extracted from backpacks, and the scholar members of the Bronx Lab School, under the watchful supportive gaze of their teacher, Rachel Apple, went to work.  The youthful students reminded the Board members and taught many in the audience of the ugly history of the Draft Riots, and the noble humanitarianism of the Hopper Gibbons family.  They noted that the family not only sheltered Black people in flight from slavery, they hosted Black abolition leaders in their home, meeting with them as peers.  From 339 W. 29th Street, a life mission dedicated to human rights would continue, directed toward serving women prisoners.  The young people reminded those at the hearing that the Hopper gibbons house was a node of humanitarian behavior and actions on the part of a small group of New Yorkers at a time when New York was considering leaving the Union and joining the Confederacy.

Mr. Mamounas, the owner/developer of 339 W. 29th St., would use every method available to him to use continuances and appealing to every possible venue, while at the same time proceeding with construction work on the building.  Weeks, months, years would pass.  New hearings would be scheduled.  Fern Luskin, Julie Finch and the neighborhood would scrape together funds to hire Jack Lester, an attorney who specializes in Community Law.  Mr. Lester successfully represented residents of Stuyvesant Town/Peter Cooper Village against Black Rock Realty for illegally raising rents.

May 18, 2017 the Landmarks Preservation Commission and the Department of Buildings of New York City ruled in favor of the neighbors of the Hopper Gibbons house who want it returned to its historic height.  The voices, the petitions of ordinary people and their children were heard.  There will be no celebration however, until the fifth floor of 339 W. 29th Street is removed, and the spirits of the Hopper Gibbons home are free to run unimpeded.

 

Carl B. Westmoreland

Historian

National Underground Railroad Freedom Center

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The 9th Annual Aruna Run in Cincinnati: The Morning I Ran for Asha

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Freedom Center Voices

The 9th Annual Aruna Run in Cincinnati: The Morning I Ran for Asha

Waking up early is not exactly my thing, let alone running. But this particular morning I woke up to start my day at 5:00 a.m. to run a 5k. Knowing it was helping to bring a woman named Asha to freedom was that motivation to get out of the bed.

Last month the National Underground Railroad Freedom Center had the opportunity to work with the Aruna Project for the third year to host the 9th annual Aruna Run in Cincinnati. The Aruna Project brings and sustains freedom through employment marked by holistic care to sexually exploited women. In short they free, empower and employ these women to assist them in leading a normal life. They do this by inviting thousands of people across the US to participate in Aruna Runs to raise awareness and money to aid in the freedom process. Asha unfortunately was a part of the monstrosity of sex trafficking. Although I was literally half way across the world from her, my efforts here were going to help get out of her situation.

The Cincinnati Aruna Run, held on May 20, 2017 at the National Underground Railroad Freedom Center was one of the most inspiring races I’ve been a part of. Close to 600 runners and walkers showed up. The weather forecast was one of rain and possible storms, but that did not deter anyone. There were participants of all races and ages, with one common thread – a desire to support freedom for others. One of the most important elements of the Aruna Run is to select a specific woman to run for. These are women known by the Aruna Project that are still trapped in the commercial sex industry and that they are working to bring to freedom. Participants chose who they wanted to represent in the fight for freedom. I ran for Asha. Some ran for Sarika while others ran for Kali. While there are so many entrapped in this form of modern-day slavery, it’s important to remember that each one is an individual. These women are someone’s daughter, or someone’s sister. Each one has a name.

The Aruna Project successfully raised tens of thousands of dollars with the Cincinnati Aruna Run, not to mention the awareness raised about the realities of modern-day slavery. Additionally, this race quite literally embodied the National Underground Railroad Freedom Center’s mission to encouraging people to take steps for freedom for all. In this instance, approximately 4,265 steps.

Lara Green
Initiative Manager, Modern-Day Slavery

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