Reveal Stories: The 18 Black American Athletes of the 1936 Olympic Games

Slide
Freedom Center Voices

Reveal Stories: The 18 Black American Athletes of the 1936 Olympic Games

The Courageous 18: David Albritton

History remembers and celebrates Jesse “the Buckeye Bullet” Owens and his meteoric rise to fame after winning four gold medals at the 1936 Olympics. However, it seems as if history has almost all but forgotten the 17 other black American athletes, 15 men and 2 women, who competed alongside him. Coffee Bluff Pictures and filmmaker Deborah Riley Draper have not forgotten and are telling the stories of the courageous 18 in a new documentary, Olympic Pride, American Prejudicescreening at the National Underground Railroad Freedom Center February 3.

Albritton, left and Owens, right, before the 1936 Olympic Games. Both athletes’ families relocated to Ohio during the Great Migration.

In the documentary, the film follows the lives and careers of the brave Olympians, including that of Alabama- born and Ohio- raised David Albritton.  Albritton set the World Record in the high jump with fellow United States Olympic Team member Cornelius Johnson at the 1936 Olympic Trails. Both Johnson and Albritton were the first African Americans to hold a world record in the event.

Albritton was born in Danville, Alabama and raised in Cleveland, Ohio, where he met his future Olympic teammate Jesse Owens at Cleveland’s East Technical School. Both would go on to attend the Ohio State University, where they enjoyed academic and athletic success despite the extreme racism and discrimination they faced, restricting them and other African American teammates to ordering carry-out or eating at blacks-only restaurants and staying in blacks-only hotels while traveling with the team.

Albritton would go on to win the silver medal in the high jump in Berlin, with a leap of six feet, six and three-quarters inches. Following the Olympics, Albritton returned Columbus, Ohio where he won two additional NCAA titles in the high jump category, in 1937 and 1938. While he was a student at OSU, Albritton received a working scholarship as a page in the Ohio House of Representatives and the Ohio Senate that would later inspire his run for the House in 1960, where he served six terms in the General Assembly. While in the house, Albritton served on the Education, Insurance, and Taxation Committees and in 1969, he became the first African American to chair a House committee.

Following his graduation from the Ohio State University in 1938, Albritton began working as an industrial arts teacher at Dunbar High School in Dayton, OH. During his tenure at Dunbar, Albritton coached track and field where he led his teams to three state titles. Albritton was an entrepreneur and businessman who operated an insurance business for more than thirty years.

In addition to his contributions to civil service and the business community, Albritton served as a trustee of Wright State University where he successfully campaignedto have a street named after Olympic track star Edwin Moses. Albritton's achievements in athletics were recognized when he was inducted into the National Track and Field Hall of Fame in 1980, the Ohio State Athletic Hall of Fame in 1978, and the Ohio Sport Hall of Fame. Click here to watch the full trailer for Olympic Pride, American Prejudice.

Want the latest on upcoming special exhibitions, events and programs?  Follow us on Twitter and Instagram, @FreedomCenter and on Facebook, for more historical posts and images.

 

Assia Johnson, Public Relations and Social Media Coordinator 

From the History News Network: Is African American History at Risk?

Slide
Freedom Center Voices

From the History News Network: Is African American History at Risk?

A recent post on historynewsnetwork.org by Dr. James Brewer Stewart provides insight on the possibly of African American History being at risk. Stewart, a Professor at Macalester College and founder of Historians Against Slavery, discusses the rich African American history that exists in Richmond, Virginia. Richmond is home to various locations where African American history is heard, but not exactly seen. Community members have voiced their concerns about the lack of symbols for African American history within the city.

A group known as the Defenders of Freedom, Justice, and Equality have been at the forefront of the community, pushing for the pieces of African American history that lie within Richmond to be seen. Stewart goes on to discuss how the Defenders have planned an area of Richmond to illustrate African American history, “Were the City to construct the site as the Defenders have planned it, however, Richmond would be graced by a complex of exhibits, displays, reconstructions and memorials that would mark it as a distinguished example of how African American history can and should be presented.”

Stewart points out that Richmond currently has statues of Robert E. Lee, Stonewall Jackson, Jefferson Davis and J.E.B. Stuart. While Richmond does also have a statue of Arthur Ashe, local hero and admired tennis champion, the statues of Lee, Jackson, Davis and Stuart are significantly larger in size. The statues have been a focal point in the attempt to bring African American history to the forefront of Richmond’s culture.

For more information on what Dr. James Brewer Stewart has to say about Richmond, Virginia, click here: http://historynewsnetwork.org/article/161629.

James Pate: The Ice Cube of Contemporary Art

Slide
Freedom Center Voices

James Pate: The Ice Cube of Contemporary Art

The morning after the exhibit opening of Kin Killin’ Kin< at the National Underground Railroad Freedom Center, I drove to Dayton, Ohio to gain a deeper understanding of the images from the artist James Pate.  I had no intentions on expressing my thoughts, yet I felt compelled and moved to do so.  Being a child of the Hip Hop generation, I discovered several similarities between Pate and O’Shea Jackson, famously known as Ice Cube.

Ice Cube is often credited with shaping gangsta’ rap in the 90’s.  Nevertheless, his creative expression reflected the harsh realities occurring in many communities across the country.  I was 16 years-old when Ice Cube released his debut solo album, AmeriKKKa’s Most Wanted. This classic album is laced with ground-level views of urban communities that are vivid, often frightening, revolutionary and very personal.  The most intense and thought provoking track on the album is Endangered Species (Tales from the Darkside), featuring Chuck D from Public Enemy.  This track reflects the social and systemic dysfunction that lead to homicides and the epidemic of gun violence which we still struggle with nearly three decades later.

James Pate was born in Birmingham, Alabama, but raised in Cincinnati, Ohio where he attended the School for the Creative and Performing Arts. During his senior year he earned a scholarship to attend the Art Academy through a Corbett Award. Pate’s art education is mostly contributed to discipline, dedication, and consistent projects that refined his skills. Pate’s work has been exhibited in a number of select galleries and museums. Widely known for his idiosyncratic Techno-Cubism style which fuses realism with spatial abstraction.  Like Ice Cube, James is using his artistic abilities to address the consequences of gun violence.  And like Ice Cube, he’s unapologetic about his bold reflections of street violence and he’s very deliberate in making the viewer uncomfortable.  In the original 13 images of the Kin Killin Kin series reveal 26 guns and 38 isolated bullets.  The volume of guns and bullets are in conjunction of the volume of lives lost to gun violence.  Pate’s work is a self-described tantrum that reflect his love, concern and frustration.

Ice Cube followed his debut album with works that reflected his genuine anger and scathing commentary about society's ills.  In similar fashion Pate continues to work on pieces that address violence in hope of inspiring us to find productive and sustainable solutions.  The thing I like most about Ice Cube is his storytelling ability and James Pate is comparable in that way in regards to contemporary art.  Every image in the series as a story and a rhythm that triggers an emotion and renders you vulnerable.

Kin Killin' Kin is open now at the National Underground Railroad Freedom Center through Saturday, February 13, 2016.  I encourage everyone to see the amazing artwork of James Pate and be moved to play a positive role in reducing the violence in our communities.

Chris Miller
Manager of Program Initiatives

Images: Artist James Pate in gallery and Your History.

International Human Rights Day: Cincinnati Honors Legacy of Helen Suzman

Slide
Freedom Center Voices

International Human Rights Day: Cincinnati Honors Legacy of Helen Suzman

In honor of International Human Rights Day, Hebrew Union College-Jewish Institute of Religion (HUC-JIR) and the Jewish Community Relations Council of the Jewish Federation of Cincinnati will host a panel discussion with local women who have played meaningful roles in human rights advocacy today, Thursday, December 10, at 7:00 p.m.

Helen Suzman

Tonight’s discussion is named in honor of another great freedom fighter and advocate for human rights, Helen Suzman—a Jewish South African anti-apartheid activist and parliamentarian whose public criticism and opposition to the governing National Party’s apartheid policies made her an outsider and target. Suzman continued to speak out against the horrors of apartheid despite continued threats and harassment during her 36 years in parliament (1953-89), working with Nelson Mandela while he was imprisoned on efforts that would aid in garnering support for the victims of apartheid.

The panel will be moderated by Rabbi Miriam Terlinchamp, rabbi and spiritual leader of Tempe Sholom in Amberley Village. Panelists include: Iris Roley, a freedom advocate for 13 years who designed and monitored Cincinnati Police Department reform as project manager for the Cincinnati Black United Front, Jennifer L. Branch, partner in Gerhardstein & Branch, the firm that won the landmark Obergefell v. Hodges case, which held that the 14th amendment requires States to license and recognize same-sex marriages,  Dr. Catherine Roma, founder of several choirs including MUSE, Cincinnati’s Women’s Choir, who has commissioned musical works across the barriers of race, class, sexual orientation, age, and imprisonment and  Marian Spencer, civil rights icon in the Cincinnati community who led the effort to desegregate Coney Island, headed the NAACP, served on Cincinnati Council and was at the forefront of numerous civil rights gains of the past half-century. Click here to RSVP for the evening’s event. Click here to learn more about HUC-JIR’s special exhibit, Helen Suzman: Fighter for Human Rights, on view through January 24.

Want the latest on upcoming special exhibitions, events and programs?  Follow us on Twitter and Instagram, @FreedomCenter and on Facebook, for more historical posts and images.

 

Assia Johnson, Public Relations and Social Media Coordinator 

Flame Friday: Artist James Pate

Slide
Freedom Center Voices

Flame Friday: Artist James Pate

Happy Flame Friday! This week, we’re featuring local artist and Cincinnati School for Creative and Performing Arts alumni James Pate. His series Kin Killin’ Kin, opening tomorrow at the National Underground Railroad Freedom Center, is a striking visual experience exploring youth violence in inner city communities.

“I was moved to use art as a means of illustrating this tragedy; complete with black brothers in pointed hoods creating acts of violence in the ‘hood,’" said James of his series. "Every piece that I complete is a way of accepting some of the responsibility for these acts of violence. Every piece is a moment of silence and dedication to the people who have had to deal personally with our losses.”

Artist James Pate in gallery at the National Underground Railroad Freedom Center

Pate’s self-described “Techo-Cubist” style uses charcoal coupled with techniques of illusion, shadow, juxtaposition, shape and perspectives. The concept of visually comparing modern day youth violence to Ku Klux Klan terrorism was sparked from ongoing conversations within the Black community, calling out the similarities between gang violence and the terrorism inflicted by the Ku Klux Klan. By combining the iconography of the Ku Klux Klan, the Civil Rights Movement and all too familiar images of gang violence, Pate places the viewer inside the acts and the conversation, demanding their attention and reflection on the challenges, causes and insidious nature of violence.

National Underground Railroad Freedom Center vice president and provost Dr. Battle is looking forward to the response from the community, “We welcome the community to join us in constructive dialogue about youth violence-- a subject that is affecting communities across the nation. It is our responsibility as a national museum of conscious to present difficult stories that must be told in order to inspire action that will lead to positive change here in Cincinnati and across the country.”

The opening program for Kin Killin’ Kin  will take place this Saturday, November 14 at 11:00 a.m. in the Everyday Freedom Heroes Gallery and will feature remarks from NURFC president Dr. C.G. Newsome; James Pilcher, Cincinnati Enquirer; Anthony Stringer, U.S. Attorney’s Office for the Southern District of Ohio; and Artist James Pate.  The exhibit is included with museum admission and is curated by Willis Bing Davis Shango: Center for the Study of African American Art & Culture.

Want the latest on upcoming special exhibitions, events and programs?  Follow us on Twitter and Instagram, @FreedomCenter and on Facebook, for more historical posts and images.

 

Assia Johnson, Public Relations and Social Media Coordinator 

On This Day in History: The Preliminary Emancipation Proclamation

Slide
Freedom Center Voices

On This Day in History: The Preliminary Emancipation Proclamation

On this day in 1862, the Preliminary Emancipation Proclamation was issued by President Abraham Lincoln, stating that “if the rebels did not end the fighting and rejoin the Union by January 1, 1863, all slaves in the rebellious states would be free.”  The Confederate Army did not concede and three months later, on the Emancipation Proclamation was issued.

The Beginning of Social Justice, Cynthia H. Catlin from And Still We Rise

The Beginning of Social Justice, Cynthia H. Catlin from And Still We Rise

When the Civil War began in 1861, President Lincoln sought to preserve the Union rather than end the system of enslavement. Lincoln knew that neither the Union nor the Border States would support abolition as a final outcome, however, by mid-1862, the President was convinced that abolition was the correct military and moral strategy. To solve this dilemma, in early 1863 the Emancipation Proclamation was issued but it only freed enslaved persons in states that had already seceded from the Union. At the time, it was thought of as an effective war measure that would cripple the Confederacy, which had used enslaved laborers to support the Confederate Army. However, the Emancipation also set the stage for conversations on the future of human bondage in the United States and would dramatically alter the lives of African Americans once the Civil War ended.

This week, National Underground Railroad Freedom Center president Dr. C.G. Newsome and associate professor of history at Northern Kentucky University Dr. Eric Jackson discussed the Preliminary Emancipation Proclamation and the Emancipation Proclamation on WVXU’s Cincinnati Edition, highlighting both documents’ place next to America’s founding documents. You can listen to the full episode here.  The Emancipation Proclamation is on display now through August 2016, click here to plan your visit.

Want the latest on upcoming special exhibitions, events and programs?  Follow us on Twitter and Instagram, @FreedomCenter, and on Facebook for more historical posts and images.

 

Assia Johnson
Public Relations and Social Media Coordinator 

52 Anniversary of the 16th Street Baptist Church Bombing

Slide
Freedom Center Voices

52 Anniversary of the 16th Street Baptist Church Bombing

Today is the anniversary of the 16th Street Baptist Church bombing, where four little girls, Denise McNair, Carole Robertson, Cynthia Wesley and Addie Mae Collins, died in an attack orchestrated and carried out by members of the Ku Klux Klan.  An attack, as described by Dr. Martin Luther King, Jr., that was "one of the most vicious and tragic crimes ever perpetuated against humanity."  Over 50 years later and just months after the horrific church shootings in Charleston, we, as a nation, still have more work ahead of us.

Victims of the bombing listed clockwise from top left: Addie Mae Collins (aged 14), Cynthia Wesley (aged 14), Carole Robertson (aged 14) and Denise McNair (aged 11)

Victims of the bombing listed clockwise from top left: Addie Mae Collins (aged 14), Cynthia Wesley (aged 14), Carole Robertson (aged 14) and Denise McNair (aged 11)

To commemorate the anniversary, the city of Birmingham is presenting a week of activities called Empowerment Week, where the entire community is asked to focus on “service, kindness and community impact.” At 10:22 a.m. bells will ring in Birmingham at the exact time of the bombing in 1963, followed by a wreath laying at 10:40 a.m.

The bombing marked another major turning point of the Civil Rights Movement, which, paired with the assignation of President Kennedy, moved a grieving nation to support the passing of the Civil Rights Act of 1964, signed into law that summer by President Johnson. Passage of the Voting Rights Act would follow in 1965. The special anniversary exhibition celebrating the Voting Rights Act, Power of the Vote, explores the history of voting rights in America, beginning from the Reconstruction Era to present day. See and experience this powerful exhibition before it closes September 26.

Birmingham Bombing, by Sylvia Hernandez. Quilt featured in the traveling exhibit, And Still We Rise

Birmingham Bombing, by Sylvia Hernandez. Quilt featured in the traveling exhibit, And Still We Rise

Want the latest on upcoming special exhibitions, events and programs? Click here to plan your visit. Follow us on Twitter and Instagram, @FreedomCenter, and on Facebook for more historical posts and images.

Assia Johnson
Public Relations and Social Media Coordinator 

Remembering Louis Stokes

Slide
Freedom Center Voices

Remembering Louis Stokes

Today we share our condolences with the family and friends of Louis Stokes and echo the sentiments of Rep. John Lewis, "he [Stokes] was a gifted public servant who brought dignity to the office and contributed to the public good of the entire nation."

Louis Stokes was a trail blazer, an icon and a friend of the National Underground Railroad Freedom Center. He was Ohio's first African American U.S. Congressman, serving 15 terms, headed the Congressional Black Caucus and was the first African American on the House Appropriations Committee. A bill cosponsored by Stokes and then Representative Rob Portman to preserve Underground Railroad sites in 1998 paved the way for the founding and development of our institution on the banks of the Ohio River. We honor Stokes' legacy, thank him for his public service and for representing and advocating for equal opportunity for all Americans.

International Day for the Remembrance of the Slave Trade and its Abolition

Slide
Freedom Center Voices

International Day for the Remembrance of the Slave Trade and its Abolition

Today the United Nations observes International Day for the Remembrance of the Slave Trade and its Abolition. The day is meant to remind people of the tragedy of the transatlantic slave trade and give people a chance to think about the historic causes, the methods and the consequences of the slave trade. This day also pays tribute to those who worked hard to abolish slave trade and slavery throughout the world.

Here at the National Underground Railroad Freedom Center you can learn about several people who fought to abolish slavery, like Quakers Catharine and Levi Coffin. The Coffins helped thousands of fugitive slaves to safety in Newport (now Fountain City), Indiana and Cincinnati, Ohio through the Underground Railroad.

Levi and Catharine Coffin

Levi and Catharine Coffin

In 1839, the Coffins had a two-story, eight-room brick house built with several modifications to create better hiding places. The home became a point of convergence for three major escape routes from Madison and New Albany, Indiana and Cincinnati, Ohio. It is said that they helped as many as 2,000 runaways during the years they lived in Newport.

The Levi Coffin house used to hide fugitive slaves

The Levi Coffin house used to hide fugitive slaves

By 1847 the Coffins left Newport and moved to Cincinnati. They moved houses several times, until they found a home that could be used to continue their efforts of helping fugitive slaves. The large home they purchased had rooms that were rented out for boarding. With the constant flow of guests coming in and out, it was a perfect cover to create a station for the Underground Railroad. The Coffins continued to hide, feed and clothe runaways. Catharine Coffin started creating costumes in order to better disguise them. She dressed them as cooks, butlers and other household workers.

As time went on, the Coffins focused on other ways of freeing slaves, but never gave up being abolitionists. They are known for leading so many slaves to freedom. Luckily, they were never caught for their great acts and passed away in the late 1800s due to natural causes.

-Katie Johnstone
Marketing and Communications Intern

Sam DuBose: Black Lives Matter

Slide
Freedom Center Voices

Sam DuBose: Black Lives Matter

The eyes of the nation are on Cincinnati. Today the Hamilton County Grand Jury returned an indictment for murder in the tragic shooting death of Samuel DuBose during a routine traffic stop just over one week ago. During that time the DuBose family has called repeatedly for only nonviolent responses while seeking answers from the criminal justice system.  That answer is now at hand and the family’s continued calls for nonviolent response to ensure that his peaceful way of life can be remembered purely should be respectfully honored. At the same time our community must continue to have open and transparent dialogue as we look deeper into our nation’s racial disparities and seek freedom and justice for all.  The National Underground Railroad Freedom Center stands ready to be a convener and provide a safe haven for these conversations. Our thoughts and prayers go out to the DuBose family during this difficult time. We echo their call for peace and join them in their belief that the judicial process will reflect integrity and yield a just outcome.