The Vesper Project is made up of several large installations, a few photographs and then an additional drawing series called the Jerome Project. The large installations caught the initial attraction of my group because they are slightly interactive. You are invited to walk through a refabricated 19th century home, look through a window to an unusual portrait on the opposite wall and walk around a wall of objects that provokes many thoughts. The Vesper Project is based upon a fictional 19th century African American family who had been passing as white until their youngest daughter outs them as black. To be afforded certain luxuries and rights in life and then for those to be taken away because of your skin color, something unchangeable, is a devastating blow to this fictional family, but not so far removed from the lived realities of people that have “passed” throughout history. The home in the exhibit, as well as the supplementary surrounding structures, invite the viewer into the mind of the patriarch of a family whose whole world is falling apart as he deals with ideas of loss, identity, memory, history and family. It is not a coincidence that these are some of the same concepts that we discuss daily, here at the National Underground Railroad Freedom Center.